My own favorites are these two:
compare image1 image2 -compose src diff.png
compare image1 image2 -compose src diff.pdf
The only difference between the 2 commands above: the first one shows the visual difference between the two images as a PNG file, the second one as a PDF.
The resulting diff file displays all pixels which are different in red color. The ones which are unchanged appear white.
Short and sweet.
Note, your images need not be the same type. You can even mix JPEG, TIFF, PNG -- under one condition: the images should be of the same size (image dimension in pixels). The output format is determined by the output filename's extension.
Should you, for some reason, need a higher resolution than the default one (72 dpi) -- then just add an appropriate -density
parameter:
compare -density 300 image1 image2 -compose src diff.jpeg
Here are a few illustrations of results for variations of the above command. Note: the two files compared were even PDF files, so it works with these too (as long as they are 1-pagers)!
Left: Image with text Center: Original image Right: Differences (=text) in red pixels.
compare \
porsche-with-scratch.pdf porsche-original.pdf \
-compose src \
diff-compose-default.pdf
This is the same command I suggested earlier above.
Left: Image with text Center: Original image Right: Differences in 'seagreen' pixels.
compare \
porsche-with-scratch.pdf porsche-original.pdf \
-compose src \
-highlight-color seagreen \
diff-compose-default.pdf
This command adds a parameter to make the difference pixels 'seagreen' instead of the default red.
Left: Image with text Center: Original image Right: Blue diffs (but w. some context background) l
compare \
porsche-with-scratch.pdf porsche-original.pdf \
-highlight-color blue \
diff-compose-default.pdf
This command removes the -compose src
part -- the result is the default behavior of compare
which keeps as a lightened background the first one of the 2 diffed images. (This time with added parameter to make the diff pixels appear in blue.)
While compare
does a good job for many applications, I found that sometimes I prefer a different approach, particularly when comparing images which are mostly grayscale:
convert '(' file1.png -flatten -grayscale Rec709Luminance ')' \
'(' file2.png -flatten -grayscale Rec709Luminance ')' \
'(' -clone 0-1 -compose darken -composite ')' \
-channel RGB -combine diff.png
The idea is follows: convert both file1.png
and file2.png
to grayscale. Then trat the first as the red channel of the resulting image, the second as the green channel. The blue channel is formed from these two using the darken
compose operator, which essentially means taking the minimum.
So things which are white in both images stay white. Things which are black in both images stay black. Things which are white in the first image but black in the second turn red, and things which are white in the second but black in the first turn green.
The result gives you a nicely color-coded image where you can easily associate green with the first input and red with the second. Here is an example where I'm using this to compare the output from LaTeX against that from KaTeX (before I fixed some bug to make this better):
You can combine the approaches, using compare
to see where something changed and then using the above to see in more detail how it changed.
If you love us? You can donate to us via Paypal or buy me a coffee so we can maintain and grow! Thank you!
Donate Us With